Yesterday, South Dakota State University hosted “Day One” of The Space Between Society’s annual conference. The theme this year is “Staging the Space Between” (organized
Category: Film
It . . .
I. Epigraphs and Titles “And as Eddie’s picture of what It was began to fade, It began promptly to change into something else.” —Stephen King, It
Deleuze on Teaching Solitary Happiness (L’abécédaire de Gilles Deleuze)
Deleuze tells Clare Parnet (near the end of “P for Professor”) of his preference for “movements” over “schools.” Here is what he says: For me,
Reading Deleuze on Painting (from Francis Bacon: The Logic of Sensation [1981, trans. 2002])
In Francis Bacon: The Logic of Sensation, Deleuze begins the eleventh chapter, “The Painting before Painting,” It is a mistake to think that the painter works on
Slow Reading (1.26): Deleuze’s DR (pg. 29) [and Jurassic Park (1993)]
In my last post—completed over two months ago (eek!)—I tried to unpack the point of departure for DR‘s philosophy of difference. And where did I leave it? “There
David Mitchell’s Cloud Atlas (2004) and the Wachowski/Tykwer Cloud Atlas (2012)
Though I am a big David Mitchell fan, I avoided the 2012 Wachowski/Tykwer film adaptation of Cloud Atlas until this past October. Since I had put
Sketching a Present 